ARRI LENSES



Arri Master Prime Lenses




The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS, and are sold exclusively by ARRI. Master Prime Lenses


Features


  • 16 high speed prime lenses (T1.3)
  • 12 - 150 mm
  • Higher resolution & contrast
  • No geometric distortion
  • Dramatically reduced flare
  • Virtually no breathing

Master Macro 100


For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. Designed for the ANSI Super 35 image format, the ARRI Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera. With a 1:1 magnification ratio, a maximum aperture of T2.0 and an optical design developed specifically for macro work, the ARRI Master Macro delivers phenomenally sharp and contrasty images with vibrant colors for extreme close-ups of the highest visual quality.


Features


Dedicated to Motion Picture Macro Work


  • 100 mm macro lens with 1:1 magnification ratio
  • novel optical design optimized for close-up work
  • specifically created for cine applications
  • Wide T-stop range: T2.0 (infinity)/T4.3 (close focus) to T32
  • Virtually no breathing




Specification


Name ARRI MasterPrime 12/T1.3 ARRI Master Prime14/T1.3 ARRI Master Prime16/T1.3
Lens Mount(1) PL LDS PL LDS PL LDS
Aperture T1.3 - T22 T1.3 - T22 T1.3 - T22
Close Focus(2) 0.40 m / 16" 0.35 m / 14" 0.35 m / 14"

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ARRI Signature Prime




Main Features


A unique look never seen before

Ranging from 12mm to 280mm, the ARRI Signature Prime lenses offer a unique look never seen before in cinema. Warm, smooth skin; open shadows with crisp blacks; and bokeh like looking through a window in the rain. The timeless look of Signature Primes will never go out of style.


Signature Prime Features


  • Warm smooth skin tones
  • Open shadows with crisp blacks
  • Exceptionally soft bokeh for increased
  • Sense of separation
  • Soft and delicate flares
  • Unparalleled flexibility with magnetic rear filter holder
  • 16 matched primes from 12 to 280 mm





Specification


Name ARRI MasterPrime 12/T1.8* ARRI Master Prime15/T1.8 ARRI Master Prime18/T1.8 ARRI Master Prime21/T1.8
Lens Mount LPL LPL LPL LPL
LDS LDS-2 orCooke/i LDS-2 or Cooke/i LDS-2 or Cooke/i LDS-2 or Cooke/i
Aperture T1.8 - T22 T1.8 - T22 T1.8 - T22 T1.8 - T22

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Arri Ultra Prime Lens




Main Features


The Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.


Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. They are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.


The Ultra Prime Lenses have been co-developed by ARRI and ZEISS, are manufactured by ZEISS, and are sold exclusively by ARRI.


  • 15 modern high performance prime lenses (T.1.9)
  • Widest focal length range: 8 - 180 mm
  • ARRI Ultra Prime 8R, an extreme wide angle lens
  • Superior close focus ability






Specification


Name Ultra PrimeT2.8/8R Ultra Prime T2/12mm Ultra PrimeT1.9/14 mm
Type Distagon T* Distagon T* Distagon T*
Aperture T2.8 to T22 T2 to T22 T1.9 to T22
Close focus(s) 0.35m / 1 1/4' 0.3m / 1' 0.22m / 3/4'

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Arriscope Lens




Main Features


Arri and Isco optics collaborated to build these lenses in the 80's. Optically and mechanically they are very good for anamorphic lenses of that era. Lines remain straight which is rare even in todays Anamorphics. If you want to shoot anamorphic but have a lot of straight lines in your pictures these lenses are a very good choice.




Specification


Focal Length Speed
40mm T2.3
50mm T2.3
75mm T2.3
100mm T3
135mm T3

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Master Anamorphic Lenses




Features


Master Anamorphic lenses represent a significant step forward in the technology and pract cality of anamorphic cinematography for 35 format digital and film cameras.


The Master Anamorphic series comprises nine high-performance prime lenses ranging from 28 mm to 180 mm, accompanied by lAx and 2.0x ARRI ALLJRA LDS Extenders that lengthen the telephoto reach to 360 mm. Complementing the primes at the other end of the focal length scale is ARRI's unique Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2, which allows extraordinary wide-angle shots with minimal distortion and uniform field illumination.


Perfectly combining compact size, minimal weight, very high speed, and exceptional optical design, the Master Anamorphics deliver beautiful out-of-focus backgrounds and a smooth, cinematic look, while being as fast and easy to use on set as other modern cine lenses.



Features


-   Low distortion for uncompromised cinemascope

-   Cinematic bokeh with high contrast and nice focus fall-off

-   Beautiful skin tones and precise color rendition

-   Characteristic oval out-of-focus highlights



Specification


Name Master Anamorphic MA 28/T1.9 Master Anamorphic MA 35/T1.9 Master Anamorphic MA 40/T1.9 Master Anamorph MA 50/T1.
Lens Mount : PL LDS PL LDS PL LDS PL LDS
Aperture T1.9 - T22 T1.9 - T22 T1.9 - T22 T1.9 - T22
Close Focus(2) 0.65 m / 2'3" 0.75 m / 2'6" 0.70 m / 2'4" 0.75 m / 2'6"

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Signature Prime 95mm & 150mm




95mm Key Features


-   Covers Large-Format Sensor Size

-   T1.8 to T22 Aperture Range

-   Clickless Iris Ring

-   Anti-Reflective Coatings

-   Marked in Feet

-   ARRI LPL LDS-2 Mount

-   Geared Focus and Aperture Control Rings

-   11-Blade Iris

-   Magnesium & Aluminum Construction

-   Light 5.3-lb Weight


150mm Key Features


-   Covers Large-Format Sensor Size

-   T1.8 to T22 Aperture Range

-   Clickless Iris Ring

-   Anti-Reflective Coatings

-   Marked in Feet

-   ARRI LPL LDS-2 Mount

-   Geared Focus and Aperture Control Rings

-   11-Blade Iris

-   Magnesium & Aluminum Construction

-   Relatively Light 7.7-lb Weight




Ultra Prime 8R




Features


-   Horizontal angle of view for an ANSI Super 35 Silent camera aperture (aspect ratio 1:1.33, dimensions 24.9 mm x 18.7 mm / 0.980" x 0.7362"). Ground glasses available for ARRICAM, ARRIFLEX 235 and all 435 and 535 models.


-   l' is the radius of the image circle needed for the respective format. It is the same as the distance from the image center to a corner.


-   Close focus is measaured from the film plane.





Specification


Name Ultra Prime 8R/T2.8
Type Distagon T*
Aperture T2.8 to T22
Close Focus(5) 0.35 m/1 1/4'

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Ultra Prime 10mm







ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS.



Features


-   Well controlled distortion and breathing


-   Superior close focus ability

-   Floating elements design.

-   Easy-to read calibrated scales.

-   Uniform diameters.

-   Particularly robust and easy to service .


Specification


Aperture T2.1 to T22
Close focus 0.35 m / 1 1/4'
Front diameter 156 mm / 6.1"
Length 143 mm / 5.63'
Weight 2.9 kg / 6.4 lbs

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Ultra Prime 12mm




The Ultra Prime 12mm T2.0 F from ARRI is a PL-mounted prime lens that covers the Super35 format. The 12mm is a wide entry in the comprehensive array of Ultra Prime focal lengths from 8 to 180mm. The Ultra Primes provide a compact, lightweight, optically matched complement to the higher-speed ARRI Vaster Prime series.



Key Features


-   Covers Super35 Format

-   T2.0 to T22 Aperture Range

-   PL Mount, Marked in Feet

-   Geared Focus and Aperture Control Rings




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