Panasonic announced two new HD monitors at NAB 2012: the 21.5” BT-LH2170 and the 18.5” BT-LH1850. Both models provide critically precise monitoring, flflexible 2D and 3D capabilities, a full complement of professional inputs and outputs and rugged construction for the fifield and the production facility. While these models both deliver uncompromising performance, there are more details that difffferentiate them besides their varying screen sizes.
The SmaIIHD 702 Touch 7" On-Camera Monitor features an IPS LCD panel with a resolution of 1920 x 1200. The IPS touchscreen provides a wide off-axis viewing experience without a significant shift in color or contrast. The panel also features a maximum brightness of 1500 cd/m2, which makes it more than well suited for use outdoors.
The 24" Sony PVM-X2400 4K HDR Trimaster High-Grade Picture Monitor is an addition to Sony's Grade 2 monitor hierarchy, and it is also designed to replicate the color space of Grade 1 BVM-series monitors, including the popular Trimaster BVM-HX310 color grading master monitor.
The PVM-X2400 features a UHD 4K display resolution and supports 4K and HD signals via four SDI inputs and an HDMI input. It also allows you to create a quad-view of four HD signals for comparison and other purposes. Each signal can have a different EOTF and different LUT applied. An HDR workflow is supported by a 1000 cd/m² brightness and wide color gamut. A wide range of supported HDR EOTFs include 2.4 (HDR), ITU-R BT.2100 (HLG), SMPTE ST2084, S-Log3, and S-Log3 (Live HDR). Other features include built-in scopes, zoom mode, VPID support, and more.
The S-1161HA from SWIT is a 15.6" 3G-SDI/HDMI studio LCD monitor with a Full HD resolution 1920 x 1080 panel. The LCD panel offers accurate color reproductions, and you can adjust color temperature via RGB Gain and Bias. This monitor features two 3G/HD/SD-SDI inputs, an HDMI input, and a composite video input. It also has a 3G/HD/SD-SDI loop-through output and an HDMI loop-through output. Twochannel embedded audio meters, SDI timecode, zebra stripes, blue only mode, and peaking focus assist (red/blue switch) functions are displayed under the SDI or HDMI input. The monitor is powered via the 4-pin XLR 11-17 VDC connector or via the included Gold Mount-type battery plate. It features magnetically attached glass to protect the LCD screen.
The LUM-242G is a 24 inch UHD resolution (3840 x 2160) monitor with maximum luminance of 500nit, contrast ratio of 1,200:1, wide color gamut and wide viewing angle. Equipped with 4 BNCs (2×12G-SDI + 2×3G-SDI) and HDMI 2.0 interface, it supports various video formats up to 4K/60p through single-link 12G-SDI, Quad 3G-SDI and HDMI 2.0. In addition to various professional features such as Waveform monitor and Vectorscope, the LUM-242G provides HDR emulation function with HDR EOTFs of PQ, HLG and SLog3.
ACME GEIST BEAM is an LED moving head fixture that creates a bright, super-concentrated solid projection with the minimum beam angle as small as 3°. To achieve the intense and focused beam with an LED source, ACME uses an entirely new high-efficiency 500W LED module combined with incredible 230mm frontal lens, which can provide a punchy output of 360,000lux @5meter. The newly-designed compact base helps to decrease much weight and save you the cost of transportation. Additional benefits include full CMY & CTO mixing and separate color wheel with 8 colors, fixed and rotating gobo wheels, loaded with user-favorite gobos plus shaking function, including a wide variety of effects, especially when combined with the two rotating prisms.
Designed to fulfill the larger stage and live-stream applications, the ACME Geist Beam is ideal for scenarios, requiring brighter and more lumen, yet long-distance casting fixture that offers you more than just BEAM.
XP-LR 512 RT is a flexible product,meaning that it can be switched either as a emitter or a receiver. It supports one DMX universe of up to 512 channels with maximum refresh rate.
Based on our ACME technology, the XP-LR 512 RT brings you all the advanced wireless features such as Automated Cognitive Coexistence, DMX fidelity, lowest latency in the industry at 5ms, 128 bit encryption and much more. With support for ACME wireless, the XP-LR 512 RT provides never before seen flexibility for both wireless and wired DMX. Multiple XP-LR 512 RT units in transmitter mode can be combined to transmit several DMX universes, allowing for easy system expansion. The XP-LR 512 RT is compatible with all other ACME wireless product.
XP-LR 512 RT utilizes the international license free ISM band on 2.4GHz.
The ARTDMX A28 (CA-EN28) is designed for DMX-512 control signal amplification. It's especially designed for connections of DMX receivers (moving heads, color changers, dimmers etc.) in a daisy-chain configuration, and is suitable for applications in which the DMX-512 signal is weakened over long-distance transmission. ARTDMX A28 will efficiently buffer and magnify the DMX signal, ensuring the DMX data transmission is accurate and reliable.
The ACME GLORY FOLLOWSPOT II features an OSRAM Lok-it! 1000/PS Brilliant 1000W 6000K lamp, to project a crisp 6000K white light for exhibition and display applications, as well as a warm 2700K for stage performance. It has an adjustable iris range from 5% to 100%, a zoom ratio of 1:4 (5˚ to 20˚) and manual focus, plus a custom tripod which enables smooth pan and tilt movements. The GLORY FOLLOWSPOT II has a comfortable and stable feel for tracking performers. Not only can it project light with high CRI (>90), it also includes 7 different color temperature filters in the compact body, making a CCT range from 2700K to 5600K available by manual selection on the display, offering more possibilities for various applications and an excellent tracking effect. What’s more, a 5-slot manual boomerang is attached to the front of the unit for quiet color changing.