With built-in wireless frequency scanner, the system will automatically jump to a best wireless channel Both SDI & HDMI in Compact Size The Same compact size for transmitter and receiver, with NP-F DV plates and new high gain antennas. Reclock and Color Reproduction To ensure the quality of black level, signal noise and color reproduction of the wireless received signal, the Flow series wireless receiving supports signal re-clock and accurate color reproduction.
The Bolt Pro 2000 is a zero delay wireless video transmission system designed for the most demanding cinema, broadcast, and UAV applications. At less than 1ms latency, Bolt Pro 2000 can transmit 1080p60 4:2:2 video at up to 2000ft line of sight over the unlicensed 5GHz band.
The Hollyland Cosmo 2000 allows you to transmit an HDMI/SDI signal up to 2000' to an HDMI or dual SDI outputs. The transmitter/receiver set supports up to 1080p60 signals with a latency of 1 ms. The transmitter also offers an SDI loop-through output and 3.5mm stereo audio input. The system operates on the 5.1 to 5.9 GHz frequency band and is Transmission Range 1000' 2000' 3000'
The cutting-edge Paralinx Ace is a short-range wireless transmission solution for professional filmmakers. It offers up to 300 ft line-of-sight uncompressed 1080p60 transmission in real time with near zero latency (less than 1 ms). This Ace HDMI package includes one transmitter and one receiver, along with power and video cables.
An antenna which is compatible with the ARRI Wireless Video System (ALEXA LF, ALEXA SXT W, WVT-1, WVR-1), WiFi (ALEXA LF, ALEXA SXT W) and Electronic Control System (ECS) white radio (all ALEXA Plus, Studio, W, LF and Mini camera models). Color coded in white (for ECS white radio) and blue (for ARRI WVS
ACME GEIST BEAM is an LED moving head fixture that creates a bright, super-concentrated solid projection with the minimum beam angle as small as 3°. To achieve the intense and focused beam with an LED source, ACME uses an entirely new high-efficiency 500W LED module combined with incredible 230mm frontal lens, which can provide a punchy output of 360,000lux @5meter. The newly-designed compact base helps to decrease much weight and save you the cost of transportation. Additional benefits include full CMY & CTO mixing and separate color wheel with 8 colors, fixed and rotating gobo wheels, loaded with user-favorite gobos plus shaking function, including a wide variety of effects, especially when combined with the two rotating prisms.
Designed to fulfill the larger stage and live-stream applications, the ACME Geist Beam is ideal for scenarios, requiring brighter and more lumen, yet long-distance casting fixture that offers you more than just BEAM.
XP-LR 512 RT is a flexible product,meaning that it can be switched either as a emitter or a receiver. It supports one DMX universe of up to 512 channels with maximum refresh rate.
Based on our ACME technology, the XP-LR 512 RT brings you all the advanced wireless features such as Automated Cognitive Coexistence, DMX fidelity, lowest latency in the industry at 5ms, 128 bit encryption and much more. With support for ACME wireless, the XP-LR 512 RT provides never before seen flexibility for both wireless and wired DMX. Multiple XP-LR 512 RT units in transmitter mode can be combined to transmit several DMX universes, allowing for easy system expansion. The XP-LR 512 RT is compatible with all other ACME wireless product.
XP-LR 512 RT utilizes the international license free ISM band on 2.4GHz.
The ARTDMX A28 (CA-EN28) is designed for DMX-512 control signal amplification. It's especially designed for connections of DMX receivers (moving heads, color changers, dimmers etc.) in a daisy-chain configuration, and is suitable for applications in which the DMX-512 signal is weakened over long-distance transmission. ARTDMX A28 will efficiently buffer and magnify the DMX signal, ensuring the DMX data transmission is accurate and reliable.
The ACME GLORY FOLLOWSPOT II features an OSRAM Lok-it! 1000/PS Brilliant 1000W 6000K lamp, to project a crisp 6000K white light for exhibition and display applications, as well as a warm 2700K for stage performance. It has an adjustable iris range from 5% to 100%, a zoom ratio of 1:4 (5˚ to 20˚) and manual focus, plus a custom tripod which enables smooth pan and tilt movements. The GLORY FOLLOWSPOT II has a comfortable and stable feel for tracking performers. Not only can it project light with high CRI (>90), it also includes 7 different color temperature filters in the compact body, making a CCT range from 2700K to 5600K available by manual selection on the display, offering more possibilities for various applications and an excellent tracking effect. What’s more, a 5-slot manual boomerang is attached to the front of the unit for quiet color changing.