The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.
Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
32mm | 40mm | 50mm | 75mm | 85mm MACRO | 100mm | 135mm | 185mm | |
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T-Stop Range | T2.3-T22 | T2.3-T22 | T2.3-T22 | T2.3-T22 | T2.8-T22 | T2.3-T22 | T2.3-T22 | T2.9-T22 |
Angular Rotation of Iris Scale | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° |
All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look® and oval bokeh. That's the Cooke Anamorphic /i Look. Images beautifully rendered for film and especially suited for use with digital cameras. The Anamorphic /i lens correct aberrations exceptionally well over the entire image area — astigmatism, lateral and longitudinal colour — that will render shape, form and soul to your images.
While the "look" is crucial, precision engineering and seamless integration with other equipment is equally important. The Anamorphic /i, prime lenses in ten focal lengths are colour matched to our S4/i, 5/i and miniS4/i lenses.
Ideal for close-ups and product shots, the Cooke 65 mm Macro Anamorphic /i 2X Prime lens has magnification ratio 4.1:1 with close focus of 5.5" from front of lens.
25mm | 32mm | 40mm | 50mm | 65mm MACRO | 75mm | 100mm | 135mm | 185mm | 300mm | |
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T-Stop Range | T2.3-T22 | T2.3-T22 | T2.3-T22 | T2.3-T22 | T2.6-T22 | T2.3-T22 | T2.3-T22 | T2.3-T22 | T2.9-T22 | T2.9-T22 |
Angular Rotation of Iris Scale | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° |
Your new go-to lens for the new era of anamorphic filmmaking
Shoot from very wide angle to telephoto with the Cooke 35-140mm Anamorphic/i zoom with 4x zoom ratio.
This is a true, front anamorphic zoom with the creative flexibility that cinematographers have waited years to have. Cooke's new, patented optical design brings together a unique combination of attributes. Available as a Cooke classic or with SF coating (special flare).
Cooke Optics is pleased to announce it was been awarded patents in the U.S and the U.K. for its new anamorphic objective lens technology; U.S. Patent No. 9,341,827, U.S. Patent No.10,078,201 and GB Patent No. 7513993. Cooke intends to enforce the exclusive rights granted by these patents in order to protect its investment in developing Cooke's new anamorphic objective lens series incorporating the patented technology.
35-140mm | |
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T-Stop Range | T3.1-22 |
Angular Rotation of Iris Scale | 90° |
Min. Marked Object Distance | 1200 mm 47 in |
Close Focus from Lens Front | 720 mm 28 in |
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted us to introduce a modern redesign of the vintage classic. We are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.
Our new Panchro, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of modern glass mounted for today's cameras. And, the new lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
The original Cooke Speed Panchro, designed by Horace W. Lee in the 1920s, was a cine prime lens that chromatically enhanced an image when filming under restricted illumination. Cooke Speed Panchros combined a relative aperture as wide as f2.0 with an angular field of view and definition previously impossible with much smaller apertures. They quickly gained a worldwide reputation for quality cinema production and were widely used throughout the 20th century.
Available in focal lengths: 18, 21, 25, 27, 32, 40, 50, 65 MACRO, 75, 100, 135,152mm.
Our Cooke Panchro/i Classic lenses are supplied with /i Technology that collect detailed lens data for production, VFX and post-production teams and are designed for all PL mounted professional motion picture film and electronic cameras. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements, as well as inertial tracking data, shading and distortion data. For zoom lenses, the zoom position is displayed.
18mm | 21mm | 25mm | 27mm | 32mm | 40mm | 50mm | 65mm MACRO | 75mm | 100mm | 135mm | 152mm | |
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T-Stop Range | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.4-T22 | T2.2-T22 | T2.6-T22 | T2.8-T22 | T3.0 |
Angular Rotation of Iris Scale | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° |
Award winning Cooke S4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with all contemporary Cooke cine lenses.
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
- T Stop Range : T2 -T22
- Close Focus from Lens Front : 45 mm (1.8")
- Minimum Marked Object Distance : 225 mm (9")
- Maximum Front Diameter : 110 mm
- Length : 128 mm (5")
- Weight : 2.2 kg (4.8 Ibs)
See in the dark -- with 11.4 speed and a focus ring that illuminates when you need it. External lamps are no longer necessary for the focus puller to see in the dark because this new design incorporates a simple on/off and dimmer to adjust the level of illumination desired on the aperture ring. You now have the visability you need without affecting the light coming into the camera.
Cooke 5/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. Cooke 5/i Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with Cooke S4/i, miniS4/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses.
Our Cooke 5/i Prime lenses are supplied with /i Technology that collect detailed lens data for production, VFX and post-production teams and are designed for all PL mounted professional motion picture film and electronic cameras. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements, as well as inertial tracking data, shading and distortion data. For zoom lenses, the zoom position is displayed.
18mm | 25mm | 32mm | 40mm | 50mm | 65mm | 75mm | 100mm | 135mm | |
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T-Stop Range | T1.4-T22 | T1.4-T22 | T1.4-T22 | T1.4-T22 | T1.4-T22 | T1.4-T22 | T1.4-T22 | T1.4-T22 | T1.4-T22 |
Angular Rotation of Iris Scale | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° |
Shoot 35mm, Super 35mm, Full Frame and Beyond The Cooke 57/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).
Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you covered with our 57/i Full Frame Plus lenses.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
And, the S7/i lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
Available in focal lengths: 16,18, 21, 25, 27, 32, 40, 50, 60 MACRO, 65, 75, 90 MACRO, 100, 135, 150 MACRO, 180 and 300 mm.
- Focal lengths: 16,18, 21, 25, 27, 32, 40, 50, 60 MACRO, 65, 75, 90 MACRO, 100, 135, 150 MACRO, 180 and 300 mm
- T2.0 — T22 aperture
- Covers at least 46.31mm image circle
- l' is the radius of the image circle needed for the respective format. It is the same as the distance from the image center to a corner.
- Close focus is measaured from the film plane.
- Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Panchro/i Classic lenses
- Close focus is measaured from the film plane.
- Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
- Supplied with the next generation of /i Technology for lens metadata capture
- Linear iris
- The Cooke Look®, of course
16mm | 18mm | 21mm | 25mm | 27mm | 32mm | 40mm | 50mm | 60mm MACRO | 65mm | 75mm | 90mm MACRO | |
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T-Stop Range | TBC | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.2-T22 | T2.4-T22 | T2.5-T22 | T2.6-T22 | T2.8-T22 | T2.5-T22 |
Angular Rotation of Iris Scale | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° | 90° |
Aperture | T2.1 to T22 |
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Close focus | 0.35 m / 1 1/4' |
Front diameter | 156 mm / 6.1" |
Length | 143 mm / 5.63' |
Weight | 2.9 kg / 6.4 lbs |
The Ultra Prime 12mm T2.0 F from ARRI is a PL-mounted prime lens that covers the Super35 format. The 12mm is a wide entry in the comprehensive array of Ultra Prime focal lengths from 8 to 180mm. The Ultra Primes provide a compact, lightweight, optically matched complement to the higher-speed ARRI Vaster Prime series.
- Covers Super35 Format
- T2.0 to T22 Aperture Range
- PL Mount, Marked in Feet
- Geared Focus and Aperture Control Rings