The 2575 supports up to 133 pounds, making it perfect for large EFP, studio and larger format digital cinema cameras. Heads feature +90 to -90 degree tilt with infinitely adjustable counterbalance, and a folding crank handle with numerical readout for fast, precise and repeatable counterbalance adjustments.
The durable and versatile Sachtler Video 20 S1 introduces a wider payload range and an innovative, SpeedBalance system for fast weight compensation. The wider range enables lightweight DSLR cameras to be used, but it can also handle heavier ENG and EFP camcorders; switching between these payloads is made easy with the intuitive Boost Button.
EFP and ENG TV crews will appreciate the seven level drag properties, the Touch & Go function for speedy mounting and removal, robust temperature resistance, parking positions for spare camera screws and the self-illuminating bubble level.
Cartoni has announced the MAXIMA 5.0, a tripod head that has designed specifically to accommodate large, heavy digital cinema camera packages.
The MAXIMA 5.0 is a Flat Mitchell mount tripod head, although it can be adapted to be used with an optional 150mm bowl base.
The tripod head features Cartoni's patented counterbalance. The MAXIMA 5.0 handles payloads from zero to 50 kg (110 Ib) throughout its 180° tilt range. This payload capacity is certainly impressive. The patented continuous fluid drag system allows almost freewheeling to extremely consistent drag for maximum versatility and stable diagonal shots.
WITH PAN BAR
payload capacity is certainly impressive. The patented continuous fluid drag system allows almost freewheeling to extremely consistent drag for maximum versatility and stable diagonal shots. The tripod head weighs in at 13 kg (28.6 lb) and it certainly looks to be a nice alternative to offerings from both O'Connor and Sachtler.
WITHOUT PAN BAR
The MAXIMA 5.0 knobs and levers have been ergonomically placed for operator ease of use. The tripod head is suitable for studio, location, or outside shooting. The large sliding camera plate is compatible with ARRI, Sony, and O'Connor. The head comes with a telescopic pan bar and a short front pan bar. Cartoni already has the MAXIMA 30 and MAXIMA 40 heavy-duty tripod heads. The MAXIMA 30 has a payload capacity of 29.9 kg (66 lbs), and the MAXIMA 40 can handle up to 39.92 kg (88 Ibs). There is currently no indication of pricing or availability.
Brand : Supertech
Color : Black
Bowl Size : 150 mm
Horizontal Lock : Yes
Rotation : 360 Degree
Packaging Type: Box Weight 6.9 kg Maximum Load Capacity 30 kg Approx
The LUM-242G is a 24 inch UHD resolution (3840 x 2160) monitor with maximum luminance of 500nit, contrast ratio of 1,200:1, wide color gamut and wide viewing angle. Equipped with 4 BNCs (2×12G-SDI + 2×3G-SDI) and HDMI 2.0 interface, it supports various video formats up to 4K/60p through single-link 12G-SDI, Quad 3G-SDI and HDMI 2.0. In addition to various professional features such as Waveform monitor and Vectorscope, the LUM-242G provides HDR emulation function with HDR EOTFs of PQ, HLG and SLog3.
ACME GEIST BEAM is an LED moving head fixture that creates a bright, super-concentrated solid projection with the minimum beam angle as small as 3°. To achieve the intense and focused beam with an LED source, ACME uses an entirely new high-efficiency 500W LED module combined with incredible 230mm frontal lens, which can provide a punchy output of 360,000lux @5meter. The newly-designed compact base helps to decrease much weight and save you the cost of transportation. Additional benefits include full CMY & CTO mixing and separate color wheel with 8 colors, fixed and rotating gobo wheels, loaded with user-favorite gobos plus shaking function, including a wide variety of effects, especially when combined with the two rotating prisms.
Designed to fulfill the larger stage and live-stream applications, the ACME Geist Beam is ideal for scenarios, requiring brighter and more lumen, yet long-distance casting fixture that offers you more than just BEAM.
XP-LR 512 RT is a flexible product,meaning that it can be switched either as a emitter or a receiver. It supports one DMX universe of up to 512 channels with maximum refresh rate.
Based on our ACME technology, the XP-LR 512 RT brings you all the advanced wireless features such as Automated Cognitive Coexistence, DMX fidelity, lowest latency in the industry at 5ms, 128 bit encryption and much more. With support for ACME wireless, the XP-LR 512 RT provides never before seen flexibility for both wireless and wired DMX. Multiple XP-LR 512 RT units in transmitter mode can be combined to transmit several DMX universes, allowing for easy system expansion. The XP-LR 512 RT is compatible with all other ACME wireless product. XP-LR 512 RT utilizes the international license free ISM band on 2.4GHz.
The ARTDMX A28 (CA-EN28) is designed for DMX-512 control signal amplification. It's especially designed for connections of DMX receivers (moving heads, color changers, dimmers etc.) in a daisy-chain configuration, and is suitable for applications in which the DMX-512 signal is weakened over long-distance transmission. ARTDMX A28 will efficiently buffer and magnify the DMX signal, ensuring the DMX data transmission is accurate and reliable.
The ACME GLORY FOLLOWSPOT II features an OSRAM Lok-it! 1000/PS Brilliant 1000W 6000K lamp, to project a crisp 6000K white light for exhibition and display applications, as well as a warm 2700K for stage performance. It has an adjustable iris range from 5% to 100%, a zoom ratio of 1:4 (5˚ to 20˚) and manual focus, plus a custom tripod which enables smooth pan and tilt movements. The GLORY FOLLOWSPOT II has a comfortable and stable feel for tracking performers. Not only can it project light with high CRI (>90), it also includes 7 different color temperature filters in the compact body, making a CCT range from 2700K to 5600K available by manual selection on the display, offering more possibilities for various applications and an excellent tracking effect. What’s more, a 5-slot manual boomerang is attached to the front of the unit for quiet color changing.